The Austin City Council voted Thursday
to change signage and low-frequency monitoring requirements for live music
events.
When putting on a live music event,
organizations are required to obtain an amplified sound permit. They are
required to apply for the permit at least 21 days before the event and must pay
the required fees.
Thursday’s vote updated these
requirements for amplified sound permits in Austin. The ordinance now requires
mobile response codes, like QR codes, linking to the event’s sound permit be
placed on signs advertising the event.
A larger change to sound permits was the
council’s decision to switch from the traditional “A-weighting” to
“C-weighting”. According to Hear Forever, a campaign by Howard Leight a company
who specializes in making top of the line earplugs, both scales measure the intensity and
frequency of sound. Hear Forever was created to build awareness about
noise-induced hearing loss. The new “C-weighting” scale will incorporate a more
low-frequency range of sounds that is becoming more popular in today’s music.
“Before this change an event might
have been in compliance with the A-weighting scale but still rattling windows
of nearby residences from bass notes,” said David Murray, sound engineering
consultant for the Austin Music Office.
At the recent Fun Fun Fun Fest the
Austin Music Office rented sound monitoring terminals that were a way of
tracking the sound output and proving that the event was abiding by the permit
restrictions. According to Murray, the Austin Music Office hopes to continue to
use these to help festivals make sure they are within the new amplified sound
parameters.
These changes to the amplified
sound permits will be put into place starting in February.
Changes to sound permits are a hot
topic in Austin lately. In September, city of Austin officials announced they
were going to more strongly enforce event permits throughout the neighborhood
west of the University of Texas at Austin campus. They announced that each permit
application must now include an attached site plan mapping the property of the
event and any bars or other structures that are going to be built.
Austin isn’t the only city that has
to be mindful of its large population while supporting live music. Cities such
as New York City and Chicago also have large live music festivals that they
must provide sound permits for.
“We get our sound permits through
the New York Police Department,” said Josy Dussek, director of operations and
community outreach at the New York City Parks Foundation. “We aren’t allowed to
go over 85 decibels and have to shut down by 10 p.m. if we are having an event
in Central Park. If we are out at the boroughs it’s 9 p.m.”
Council members have also decided
that permits for festivals held in parks will no longer be obtained through the
Parks and Recreation Department but through the Austin Music Office.
Councilwoman Laura Morrison led this change.
“We had quite a bit of a challenge
during our last festival,” Morrison said. “If we can take advantage of the
expertise that our music office brings we’ll be much more sophisticated in
dealing with sound.”
No comments:
Post a Comment